The Greatest Showman
Australian filmmaker Michael Gracey makes his feature film directorial debut with The Greatest Showman, a story that, in the larger-than-life spirit of Barnum, bursts into a boldly imagined fictional realm, one full of infectious pop tunes, glam dances and a celebration of the transformative power of showmanship, love and self-belief.
Gracey directs from a screenplay by Jenny Bicks and Bill Condon and a story by Jenny Bicks, and braids together original songs by Academy Award winners Benj Pasek and Justin Paul (La La Land) with a multi-talented cast headed by Hugh Jackman to immerse audiences in the very origins of mass entertainment and mega-celebrities in the 70s… the 1870s that is. The result is a chance to enter the newly electrified world of America’s post-Civil War Gilded Age — through the viscerally contemporary lens of the pop culture just igniting then.
Says Jackman, who devoted himself for years to bring the film to the screen: “It’s not exaggerating to say that Barnum ushered in modern-day America – and especially the idea that your talent, your imagination and your ability to work hard should be the only things that determine your success. He knew how to make something out of nothing, how to turn lemons into lemonade. I’ve always loved that quality. He followed his own path, and turned any setback he had into a positive. So many things I aspire to in my life are embodied in this one character.”
In the brand-new adventure Jumanji: Welcome to the Jungle, the tables are turned as four unlikely friends are sucked into the world of Jumanji. When they discover an old video game console with a game they’ve never heard of, they decide to play and are immediately thrust into the game’s jungle setting, in the bodies of their avatars, played by Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan.
What they discover is that you don’t just play Jumanji – Jumanji plays you. They’ll have to go on the most dangerous adventure of their lives, or they’ll be stuck in Jumanji forever…
“The spirit of Jumanji flows through this continuation of the story,” says Johnson. For the actor/executive producer and so many of his generation, the original Jumanji film captured a spirit of imagination that became the spine of the new film. “We wanted to bring that spirit of wonderment, of overcoming fears and discovering who you are – it’s all woven through Jumanji: Welcome to the Jungle. Every once in a while, a movie comes down the road that you just know in your gut, has a special quality to it.”
For Johnson, one of the keys to achieving that was to approach the new film as a continuation – another Jumanji adventure in the same universe as the first film. “We all have tremendous love and reverence for the original movie – I’ve always been a huge fan of Robin Williams and his performance and that movie meant a lot to me and my family at that time,” he says. “So, while the jungle came into our world in the original Jumanji, we go into Jumanji in this film.”
Directed by Jake Kasdan from a screenplay by Chris McKenna and Erik Sommers and Scott Rosenberg and Jeff Pinkner. Screen story by Chris McKenna. Based on the book Jumanji by Chris Van Allsburg.
In the comedy Beatriz at Dinner, a Los Angeles massage therapist and holistic healer (Salma Hayek) drives to the seaside mansion of her client Cathy. When her old Volkswagen breaks down, she receives a friendly invitation from Cathy to stay for a seemingly innocent business dinner. As the guests arrive and the wine starts to flow, Beatriz finds herself in an escalating war of words with Doug Strutt (John Lithgow), a ruthless real estate mogul who cares more about money than people.
Exploring the widening gulf between the world’s haves and havenots with fierce insight and unexpected humour, from economic inequality and conservation to the necessity of simple human kindness. At an elegant dinner party in a swanky hilltop home, conversation between a soft-spoken holistic healer and a hard-nosed businessman explodes into a bitter clash of cultures.
The project began when Mike White, an outspoken supporter of animal rights and a committed vegan, was outraged by the 2015 killing of Cecil the lion by an American trophy hunter in Zimbabwe.
What, he wondered, would he do if he were ever to meet that man? He began to build a script around that idea. Before he had a single scene on paper, White knew that his friend and colleague Miguel Arteta would be an ideal director for the project.
In Beatriz at Dinner White has created two vastly different outliers — altruistic healer Beatriz and self-satisfied real-estate developer Doug Strutt — who represent opposite ends of the American spectrum.
“They stand for ‘winners’ vs ‘losers’ if you will,” says White. “The rich vs the poor, hunters vs healers, male vs female. I put two people with opposite beliefs in conflict in a very relatable and everyday type of situation — a dinner party. It begins as a comedy of manners and turns quickly into a battle of ideas with a great deal at stake.”
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